Samson begins to echo Milton from the invocation that we've been looking at, the invocation to Book Three of Paradise Lost.

从我们一直看的祈祷，从《失乐园》第三卷中的祈求，参孙开始附和弥尔顿。

Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.

伽利略是唯一的当代人物，唯一的17世纪人物，甚至在《失乐园》里也有提及。

It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is "or", the conjunction.

它备受争议，我个人认为是出色的一个想法，“失乐园”中最重要的词是“或”，即连词。

Harold Bloom has written, and I think he's absolutely right, that Milton begins Paradise Lost with a powerful defense against lateness.

哈罗德·布卢姆写道，我认为他说得对极了，弥尔顿在《失乐园》的开头对迟到进行了有力的辩护。

Hartman describes Milton's tendency in Paradise Lost, and he takes this term from Coleridge: the tendency to stand ab extra, to stand from outside.

哈特曼描述了弥尔顿在《失乐园》中的倾向，他借用了柯勒律治的这个习语：由外而内俯视自身的趋势。