As formulated by the critic and poet Larry Neal, the black aesthetic "proposes a separate symbolism, mythology, critique, and iconology."

正如拉里·尼尔所述，黑人美学“主张一种不同的象征主义、神话、批评方法和图像学”。

This treatise is based on the analysis of the philosophical fundamental of Iconology which has been scrutinized in purpose on an open critical platform of Visual Culture.

本文从对图像学的哲学背景与学理的分析出发，把它放置在一个开放的、批评的视觉文化平台上进行考察。

Iconology is a critical study methodology of understanding the meanings of images in Art History, and has an immediate connection with the contemporary study of Visual Culture.

图像学在艺术史中是一种重要的解读图像的研究方法，并且与当下的视觉文化研究有着密切的联系。

Although the by its own characteristic is unable to form the unified research pattern like iconology, but the archaeology of painting has provided the new ponder Angle for fine arts research.

虽然绘画考古学因其自身的特点无法像图像学一样形成统一的研究模式，但绘画考古学为美术研究提供了新的思考角度。

This paper tries to reconstruct the history of the Western Chinese art history by interpreting "Stylistic Analysis", "Iconology" and "Situational Analysis" applied in West-ern Chinese art history.

本文试图通过阐释西方中国艺术史研究中的风格分析、图像学研究和情境分析三大方法来重构西方中国艺术史学史。